We are a graphic design firm working with artists, museums, and publishers to design art books, identities, exhibition graphics and catalogues, printed ephemera, and more.

293 Carroll Street
Garden Level
Brooklyn, NY 11231

Our Clients

  • Art Institute of Chicago
  • Asia Society, New York
  • American Museum of Natural History, New York
  • Baltimore Museum of Art
  • Bard Graduate Center, New York
  • The Barnes Foundation, Philadelphia
  • Blaffer Art Museum, Houston
  • Brooklyn Museum of Art, New York
  • Clyfford Still Museum, Denver
  • Colby College Museum of Art, Waterville ME
  • Contemporary Arts Museum Houston
  • Cooper Hewitt, New York
  • Crystal Bridges Museum of American Art, Bentonville AR
  • Dallas Museum of Art
  • Des Moines Art Center
  • Driehaus Museum, Chicago
  • Fine Arts Museums of San Francisco
  • Fondation Beyeler, Riehen, Switzerland
  • Frick Collection, New York
  • George Eastman Museum, Rochester NY
  • Guggenheim Museum, New York
  • Guild Hall, East Hampton NY
  • Hammer Museum, Los Angeles
  • Hirshhorn Museum, Washington DC
  • ICA Boston
  • ICA Philadelphia
  • Irish Museum of Modern Art, Dublin
  • Isabella Stewart Gardner Museum, Boston
  • Japan Society, New York
  • Jewish Museum, New York
  • Jordan Schnitzer Museum of Art, University of Oregon
  • Katonah Museum of Art
  • Kemper Museum of Contemporary Art, Kansas City MO
  • Los Angeles County Museum of Art
  • MASS MoCA, North Adams MA
  • Menil Collection, Houston
  • Metropolitan Museum of Art, New York
  • Milwaukee Art Museum
  • MIT List Art Center, Cambridge
  • Moderna Museet, Stockholm
  • Moody Center for the Arts, Rice University
  • Morgan Library & Museum, New York
  • Museum of Contemporary Art Los Angeles
  • Museum of Contemporary Art San Diego
  • Museum of Fine Arts, Boston
  • Museum of Fine Arts, Houston
  • Museum of Jewish Heritage, New York
  • Museum of Modern Art, New York
  • Nasher Sculpture Center, Dallas
  • National Portrait Gallery, Washington DC
  • National Gallery of Art, Washington DC
  • Neuberger Museum, SUNY Purchase
  • New Museum, New York
  • Palace Museum Beijing
  • Palm Beach Institute of Contemporary Art
  • Parrish Art Museum, Water Mill NY
  • The Paul W. Zuccaire Gallery, SUNY Stony Brook
  • Philadelphia Museum of Art
  • Princeton University Art Museum
  • Queens Museum
  • Rockbund Art Museum, Shanghai
  • Samuel Dorsky Museum of Art, SUNY New Paltz
  • SculptureCenter, Queens NY
  • Seattle Art Museum
  • St. Louis Art Museum
  • Storm King Art Center, New Windsor NY
  • The Studio Museum in Harlem, New York
  • Wadsworth Atheneum Museum of Art, Hartford CT
  • The Wallach Art Gallery at Columbia University, New York
  • Whitney Museum of American Art, New York
  • Yale Center for British Art, New Haven
  • Yale University Art Gallery, New Haven
  • Charta Art Books
  • D.A.P. Distributed Art Publishers
  • DelMonico Books
  • Gregory R. Miller Books
  • Harry N. Abrams, Inc.
  • Hatje Cantz
  • Little Brown
  • Monacelli
  • Penguin
  • Phaidon
  • Princeton Architectural Press
  • Princeton University Press
  • Scala Arts Publishers
  • Skira Rizzoli
  • Smithsonian Books
  • Taschen
  • Trinity University Press
  • University of California Press
  • Vendome
  • Yale University Press
Cultural and civic institutions
  • Aperture
  • Art + Practice
  • Artists Space
  • ArtPace
  • Center for Art, Research and Alliances / CARA
  • Fine Press Book Association
  • The FLAG Art Foundation
  • The Grolier Club
  • MacDowell Colony
  • Madison Square Park Conservancy
  • New York Public Library
  • Public Art Fund
  • The Rockefeller Foundation
  • Skowhegan School of Painting & Sculpture
  • United States Institute of Peace
Art galleries
  • Blum & Poe
  • Casey Kaplan
  • David Zwirner
  • Eva Presenhuber
  • Galerie Aurel Scheibler
  • Galerie Yvon Lambert
  • Hauser & Wirth
  • James Cohan
  • Mary Boone
  • Matthew Marks

Our Team

  • MIKO McGINTYPrincipal

    Miko McGinty began designing art books in 1993. Her first book, Isamu Noguchi: Essays and Conversations, established her deep commitment to working with artists, curators, scholars, and museums. Trained in typography and letterpress as a Yale undergraduate and in book design at art publisher Harry N. Abrams, McGinty returned to Yale School of Art for her MFA in graphic design. Upon graduation, she launched her own firm with the book YES Yoko Ono. Her studio of four designers has created books for numerous artists and more than forty museums worldwide.

  • RITA JULESSenior Designer

    With over twenty years of experience in the McGinty office, Rita Jules draws on her love of typography, respect for scholarship, and enjoyment of the craft of bookmaking to design publications that appeal to both the eye and the mind. She has designed and produced books of all kinds—exhibition catalogues, artist's books, monographs, museum guides, and cookbooks—and designed logos, all manner of printed media, exhibition graphics and wayfinding signage along the way. Interested in material culture studies, she wrote her M.A. thesis for Bard Graduate Center on the handful of late eighteenth-century English aesthetes who jump-started a revival of sans serif letters.

  • TINA HENDERSONSenior Typesetter

    Tina Henderson brings thirty years of book publishing experience to the McGinty office, having worked with museums, art book publishers, university presses, and trade book publishers. Her love of books stems from her childhood, mostly spent in local libraries. Her appreciation for art evolved out of her early work for Miko and Harry N. Abrams. She has a background in English and Spanish language and literature and enjoys the process of fine-tuning groups of words into expertly typeset text.


    Rebecca Sylvers comes to the world of art books with a background spanning print design, branding, and cultural studies. A Yale graduate, she’s as interested in the visual world around us as she is in making the very real things that exist within it. Her favorite projects allow her to innovate within and push the bounds of a book, melding her sense of curiosity with a well-honed sensitivity to content, context, and audience. All the while asking the question: what makes someone pick something up, and what makes them come back to it again and again?

  • JULIA MADesigner

    Julia Ma brings a fresh typographic perspective to the printed material, exhibition graphics, and logos she designs. Her love of letterforms stems from her time managing a letterpress printing and bookbinding studio and creating custom and original fonts at Frere-Jones Type. She enjoys exploring a variety of typefaces ranging from those inspired by historic lead type to ones that were only just created this year.

  • ELEANOR MORGANAssistant Designer

    Eleanor Morgan is the newest addition to the McGinty office. A graduate student in Pratt Institute’s Library and Information Science program, she believes books are critical vessels of cultural preservation. She has a background in history of art and poetry, and is interested in the intersection of art and language.